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The Griswold House: Inside the Boardinghouse

Art Colony Parlor

Although used throughout the day, the parlor was especially active during the evenings. The artists moved into the parlor after dinner to continue their boisterous conversations. Here they entertained themselves with spelling bees, card games (primarily poker and bridge), and impromptu theatrics. On occasion, they tested each other’s artistic skills by playing the wiggle game, an artful competition to see who could best incorporate three “wiggles” on a piece of paper into a complete and often humorous drawing.

“The parlor is over-crowded with curios and antiques and the walls in the hall, as well as in the parlor, are hung with pictures—the work of these painters who regularly, each year, make Lyme a habit.” 

~ Travel Writer Clara Walker Whiteside, 1926

Homespun musicales with Miss Florence at the piano and boarders playing the organ, flute, and mandolin were common. Miss Florence’s harp, a treasure brought back from London by her father, was unfortunately silent by 1910, accidentally damaged and stringless. Nevertheless it recalled the elegance and grace of an earlier time.


Gaming table in Art Colony Parlor, 2006
Photograph by Joseph Standart


Door in Art Colony Parlor leading to closet (old service hallway)

William Henry Howe (1846-1929)
Normandy Bull (Monarch of the Farm), 1901
Oil on wooden door panels

 


Door leading from Center Hall to Art Colony Parlor with painted panels

Lewis Cohen (1857-1915)
(left panel) Landscape with Strolling Man, c. 1900
(right panel) The Garden Walk, c. 1900
Oil on wooden door panels

 


Piano niche in Art Colony Parlor, 2006
Photograph by Joseph Standart

Woodhull Adams (1854-1922)
Miss Florence’s Parlor, 1912
Oil on canvas
Gift of Dr. Matthew Griswold, Sr.


Art Colony Parlor, 2006
Photograph by Joseph Standart

 


Will Howe Foote (1874-1965)
Wiggle Drawing (artist outfitted for painting)
Graphite on paper

 


William Chadwick (1879-1962)
Front Parlor, Florence Griswold House, c. 1905-1908
Oil on canvas
Gift of Elisabeth Chadwick O'Connell

 


Howe’s Normandy Bull (Monarch of the Farm)

 


R. Tait McKenzie (1867-1938)
The Sprinter, 1902
Plaster
Courtesy of Amherst Library

 


Detail of reproduction wallpaper and mantel