Several of the Old Lyme artists actually bridged the gap between painting in the studio and painting en plein air with their portable painting studios, small compartments affixed to a rickshaw-like vehicle that they could pull into the fields to keep warm on winter sketching trips – not unlike Claude Monet who painted on the River Seine in his studio boat.

Drawing of a portable sled-like studio |

Benjamin Eggleston next to his portable studio

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