Impressionism: Art, Leisure, and Parisian Society By Robert L. Herbert $35.00 (Softcover) Softcover: 324 pages Publisher: Yale University Press (September 10, 1988) ISBN-10: 0-3000-5083-6 ISBN-13: 978-0-3000-5083-7 Product Size: 0.9 x 10 x 11.25 inches The culmination of 20 years of research by a preeminent scholar in the field, this book fundamentally revises the conventional view of the Impressionist movement and shows for the first time how it was fully integrated into the social and cultural life of the times. Robert L. Herbert explores the themes of leisure and entertainment that dominated the great years of Impressionist painting between 1865 and 1885. Cafes, opera houses, dance halls, theatres, racetracks, and vacations by the sea were the central subjects of these paintings, and Herbert relates these pursuits to the transformation of Paris under the Second Empire. Sumptuously illustrated with many of the most beautiful Impressionist images, both familiar and unfamiliar, this book presents provocative new interpretations of a wide range of famous masterpieces. Along with many profound insights into the social and cultural upheaval of the times, artists are seen to be active participants in contemporary life.

The Last Years of Walker Evans By Jerry L. Thompson Hardcover: 127 pages Publisher: Thames and Hudson (1997) ISBN: 0-500-54210-4 Product Size: .75 x 6.5 x 9.25 inches In 1971, when the author enrolled in the Yale School of Art as an aspiring photographer, his principal aim was to learn all he could from one of the leading and most admired American photographers of this century, Walker Evans. Once Evans accepted Jerry Thompson as a student, they developed an extremely close working relationship as well as a personal friendship. At Yale, at Evans's Connecticut home in Old Lyme, and during a number of field trips to other parts of the country, Thompson was always close at hand, helping in the darkroom, fetching and carrying, mounting prints for exhibitions, driving, dealing with the archives that were the accumulation of almost forty years of work, and absorbing all the time what Evans, always articulate, had to say about his interests, his intellectual curiosity, and the basis of his approach to the art of photography. By the time Evans's health deteriorated and he died in 1975, Thompson had become deeply involved with his idol, learning as much about Evans's foibles and eccentricities as he did about the man's genius. As a result, Thompson's account of those last four years gives us a precious insight into the mind and sensibilities of a great man. To remind the reader of some of Evans's most famous photographs, a number of them are reproduced here, along with informal photographs of him at home, and a sampling of his late interest in color Polaroid photography, published for the first time. In combination with an unusually sensitive text, this is a book of great interest not only to photographers and those interested in photography, but to all who respond to biography and the analysis of character. Features 35 illustrations, 8 in color.